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Look out 007! There’s a unusual secret agent in town, and he’s going to knock the socks off the girls who musty to swoon over you (at least the teenaged ones.) In this action-packed teen adventure, unwilling secret agent Alex Rider (Alex Pettyfer) signs up with MI6 to recognize on an eccentric eye-shadow wearing billionaire (Mickey Rourke) whose satisfactory offer to equip all the schools in the UK with super-computers seems distinguished too excellent to be apt.

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Alex has unknowingly been groomed to be an agent by his uncle (Ewan McGregor) and after all, there’s no one better for the job than the man who was Obi Wan Kenobi. Soon, Alex is sent off to boot camp, prepped for his first mission and outfitted with an arsenal of chilly gadgets and gizmos (but no dependable weaponry) .

The stellar cast makes this movie seem a lot better than the set indicates, with appearances by Bill Nighy as Alan Blunt of MI6; Sophie Okonedo as the Special Operations Division operative with the Bond-like name of Tulip Jones; Stephen Fry as the Q-like Smithers; Andy “Gollum” Serkis as Mr. Grin; and also Alicia Silverstone, Robbie Coltrane, Missi Pyle and Damien Lewis.

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More repulsive than Peruse Kids (people die in this movie, albeit off cover) and less risqué than Bond (no hanky-panky), this movie is titanic for teenaged audiences out for light entertainment and a tiny adventure.

Amanda Richards, November 28, 2006

Just when you idea the Bond genre had finally choked on its hold self-awareness – assisted knowingly by Austin Powers, Johnny English and so forth – enter Geoffrey Sax and his film adaptation of Anthony Horowitz’ Alex Rider character. I’m not distinct Stormbreaker does enough by itself to effect the day, but it lays a solid foundation for the inevitable sequels to manufacture on, so we may not have heard the last of Alex Rider unbiased yet.

Rider is a mature-looking (shades of “I say, George! You’re remarkably well developed for a fourteen year-old!) but in truth somewhat insensible and simpering teenager and so has no interest in Honey Rider, Allotta Fagyna and their ilk (Alicia Silverstone who, ten years ago, might have aspired to play this role, makes do as a big-sisterish au pair), but does quite swiftly transform from short-tempered schoolboy ingenue (avec “issues”) to lean mean butt-kicking machine (smooth avec “issues”), no sooner has evergreen comedy buzzard, Bill Nighy, arrived on the scene to flap eyebrows and content him how. Perhaps in homage to Roger Moore, eyebrow flapping passes for funny (and/or dramatic) expression for a number of the lead characters in this film.

It’s all blooming routine stuff, comely well executed on the whole, with nice (but not overdone) spend of CGI from time to time. By and spacious it zings along and importantly never takes itself too seriously: most of the encourage characters find plenty of humorous opportunities (Nighy and Mickey Rourke milking theirs for all they’re worth), but Alex Pettyfer as Rider himself gets none – there’s none of the cheeky wisecracking hero here, which a lost opportunity to keep a natural successor to Bond.

A couple of irritants: no doubt for the American market, the word “heck” is outmoded liberally in space other expletives, which objective sounded comic, but more to the point hypocritical given that the characters in demand were contented to punch, kick, knife and machine-gun each other without a second view, but all pruriently refrained from using the word “hell”.

Lastly, there are a couple of unnecessary extra characters, and the final exchange between arch (but not particularly well established) villain Yassen Gregorovich and hero Rider defies all credible explanation, effect as a means of wrapping up the film and laying the groundwork for the first sequel.

Interesting first instalment.

Olly Buxton

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